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NUCLEAR FAMILY 19769
THE MAGICALALPHABET
THIS IS THE SCENE OF THE SCENE UNSEEN THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
THE DIVINE COMEDY OF DANTE ALIGHIERI (1265-1321) THE FLORENTINE CANTICA I HELL (L'INFERNO) INTRODUCTION Page 9 "Midway this way of life we're bound upon I woke to find myself in a dark wood, Where the right road was wholly lost and gone."
THE DIVINE COMEDY OF DANTE ALIGHIERI (1265-1321) THE FLORENTINE CANTICA I HELL (L'INFERNO) INTRODUCTION Page 9 "Power failed high fantasy here; yet, swift to move Even as a wheel moves equal, free from jars, Already my heart and will were wheeled by love, The Love that moves the sun and other stars."
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE RECORD OF THEIR FALL
CITY OF REVELATION John Michell 1972 Page109 "At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation. The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.' The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues, 'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.' The number 666 in metrology The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "
THE FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE THE ZED ALIZ ZED IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS AT THE THROW OF THE NINTH NUMBER WHEN IN CONJUNCTION SET THE FAR YONDER SCRIBE MADE RECORD OF THEIR FALL
ADVENT 2241 ADVENT
WORDS OF POWER
AND THE SPIRIT AND THE BRIDE SAY COME AND LET HIM THAT HEARETH SAY COME AND LET HIM THAT IS ATHIRST COME AND WHOSOEVER WILL LET HIM TAKE THE WATER OF LIFE FREELY
ADVENT 2246 ADVENT
THE JESUS MYSTERIES WAS THE ORIGINAL JESUS A PAGAN GOD Page 177 "THE GOSPELS ARE ACTUALLY ANONYMOUS WORKS, IN WHICH EVERYTHING,WITHOUT EXCEPTION, IS WRITTEN IN CAPITAL LETTERS, WITH NO HEADINGS, CHAPTER OR VERSE DIVISIONS, AND PRACTICALLY NO PUNCTUATION OR SPACES BETWEEN WORDS. THEY WERE NOT WRITTEN IN THE ARAMAIC OF THE JEWS BUT IN GREEK"
THE DEATH OF GODS IN ANCIENT EGYPT Jane B. Sellars 1992 Page 204 "The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling: Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10 Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days. Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him. The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time. A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12) If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth. This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations. Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry in the heavens, but golden because it existed before the Egyptians experienced heaven's changeability. But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 360° in 25,776 years, only 144 years less than the figure of 25,920. With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024. Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting' AN IMPORTANT POSTSCRIPT Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician. Page 206 Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12 This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers. Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury. Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten. Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13 Page 207 "...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14 Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15 Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16 In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point) The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits. Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18 Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance. With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts. But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation': "...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 /
with a number of scarlet circles - 'you can see it's more than random.'19 So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"
CITY OF REVELATION John Michell 1972 Page 109 "At the root of our traditional units of measurement is the ancient, mystical science of numbers, to which Plato makes an obscure reference towards the end of Epinomis, here quoted from Lamb's translation. The most important and first (study) is of numbers in themselves: not of those which are corporeal, but of the whole origin of the odd and the even and the greatness of their influence on the nature of reality. When he has learnt these things, there comes next what they call by the very ridiculous name of geometry, when it proves to be a manifest likening of numbers not like one another by nature in respect of the province of planes; and this will be clearly seen by him who is able to understand it to be a marvel, not of human but of divine origin. And then, after that, the numbers thrice increased and like to the solid nature, and those again which have been made unlike, he likens by another art, namely that which its adepts call stereometry.' The text is probably corrupt, the expressions are unfamiliar and it is hard to follow Plato's meaning. But the reference, both here and in another passage in Laws, is to some method of relating different classes of phenomena to one numerical system, by which the adept may come to understand the unifying principle in nature. Of this knowledge Plato declares that it is the greatest of all blessings both to him who possessed it and to his community, but if it can not be acquired, the best substitute is simple faith in God since, on the / Page 110 / word of an initiate, matters are far better arranged than we can possibly conceive. He continues,'Every diagram and system of number and every combination of harmony and the agreement of the revolution of the stars must be made manifest as one in all to him who learns in the proper way, and will be made manifest if a man learns aright by keeping his eyes on unity; for it will be manifest to us as we reflect, that there is one bond naturally uniting all these things.' The number 666 in metrology The number which above all others acts as a bond between the various units of measurement is the perfect number of Chaldean mathematics, 666. For example, 666 feet = 150 cubits + 150 MY while 666 square feet = 90 square MY. Also 6660 square yards = 902 square MY and 66,600 square feet = 1502 square cubits. The Babylonians had a decimal system, but they also reckoned in units of 6, 60 and 600 and a curious survival of this system is found in the letters which the Romans used as numerals, for the sum of I, V, X, L, C and D is 666. "
BLESSED BE THE FRUIT OF THAT WOMBS FOETUS
I AM THE OPPOSITE OF THE OPPOSITE I AM THE OPPOSITE OF OPPOSITE IS THE AM I I ALWAYS AM
GREETINGS CHILD OF THE RAINBOW
THE HOURS OF HORUS THAT I OF THAT I OF THAT I THAT I AM SALUTES THE ALMIGHTY THAT IS THEE PEACE BE UNTO YOU GOODWILL UNTO ALL SENTIENT BEINGS
AMEN THE NAME
LETTERS TRANSPOSED INTO NUMBER REARRANGED IN NUMERICAL ORDER
THE RISE AND FALL OF ANCIENT EGYPT The History of a Civilisation from 3000 BC to Cleopatra Toby Wilkinson 2010 Page XIV EARLY DYNASTIC PERIOD 2950-2575 Unification of Egypt Narmer
R NAME R
R NAME R
R NAME R
NARMER N RAM E R NARMER
Menes From Wikipedia, the free encyclopedia This article is about the Pharaoh. For the H. P. Lovecraft character, see The Cats of Ulthar. For the Macedonian general, see Menes of Pella. For the Romanian village of Miniş, called Ménes in Hungarian, see Ghioroc. Menes Africanus: Mênês Pharaoh Successor Menes (/ˈmiːniːz/; Egyptian: Mnj, probably pronounced */maˈnij/;[5] Ancient Greek: Μήνης;[4] Arabic: مينا) was an ancient Egyptian pharaoh of the early dynastic period, credited by classical tradition with having united Upper and Lower Egypt, and as the founder of the first dynasty (Dynasty I).[6] The identity of Menes is the subject of ongoing debate, although mainstream Egyptological consensus identifies Menes with the protodynastic pharaoh Narmer[1][2][3] (most likely) or first dynasty Hor-Aha.[7] Both pharaohs are credited with the unification of Egypt, to different degrees by various authorities. The commonly used Menes derives from Manetho, an Egyptian historian and priest who lived during the Ptolemaic period. Manetho used the name in the form Μήνης (transliterated: Mênês).[4][8] An alternative Greek form, Μιν (transliterated: Min), was cited by the 5th-century BCE historian Herodotus,[9] a variant no longer considered the result of contamination from the name of the god Min.[10] The Egyptian form, Meni, is taken from the Turin and Abydos king lists (dated Dynasty XIX). The name, Menes, means "He who endures", which, Edwards (1971) suggests, may have been coined as "a mere descriptive epithet denoting a semi-legendary hero [...] whose name had been lost".[4] Rather than a particular person, the name may conceal collectively the protodynastic pharaohs Ka, Scorpion and Narmer.[4] §Narmer and Menes[edit] Main article: Narmer The almost complete absence of any mention of Menes in the archaeological record,[4] and the comparative wealth of evidence of Narmer, a protodynastic figure credited by posterity and in the archaeological record with a firm claim[2] to the unification of Upper and Lower Egypt, has given rise to a theory identifying Menes with Narmer. The chief archaeological reference to Menes is an ivory label from Naqada which shows the royal Horus-name Aha (the pharaoh Hor-Aha) next to a building, within which is the royal nebty-name mn,[11] generally taken to be Menes.[4][a] From this, various theories on the nature of the building (a funerary booth or a shrine), the meaning of the word mn (a name or the verb endures) and the relationship between Hor-Aha and Menes (as one person or as successive pharaohs) have arisen.[1] The Turin and Abydos king lists, generally accepted to be correct,[1] list the nebty-names of the pharaohs, not their Horus-names,[2] and are vital to the potential reconciliation of the various records: the nebty-names of the king lists, the Horus-names of the archaeological record and the number of pharaohs in Dynasty I according to Manetho and other historical sources.[2] Petrie first attempted this task,[2] associating Iti with Djer as the third pharaoh of Dynasty I, Teti (Turin) (or another Iti (Abydos)) with Hor-Aha as second pharaoh, and Menes (a nebty-name) with Narmer (a Horus-name) as first pharaoh of Dynasty I.[1][2] Lloyd (1994) finds this succession "extremely probable",[2] and Cervelló-Autuori (2003) categorically states that "Menes is Narmer and the First Dynasty begins with him".[3] However, Seidlmayer (2004) states that it is "a fairly safe inference" that Menes was Hor-Aha.[7] §Dates[edit] Egyptologists, archaeologists and scholars from the 19th century have proposed different dates for the era of Menes, or the date of the first dynasty:[12][b] Modern consensus dates the era of Menes or the start of the first dynasty between c. 3100–3050 BC; some academic literature uses c. 3000 BC.[13] §History[edit] By 500 BC mythical and exaggerated claims had made Menes a cultural hero, and most of what is known of him comes from a much later time.[14] Ancient tradition ascribed to Menes the honor of having united Upper and Lower Egypt into a single kingdom,[15] and becoming the first pharaoh of Dynasty I.[16] However, his name does not appear on extant pieces of the Royal Annals (Cairo Stone and Palermo Stone), which is a now-fragmentary king's list that was carved onto a stela during the Fifth dynasty. He typically appears in later sources as the first human ruler of Egypt, directly inheriting the throne from the god Horus.[17] He also appears in other, much later, king's lists, always as the first human pharaoh of Egypt. Menes also appears in demotic novels of the Graeco-Roman Period, demonstrating that, even that late, he was regarded as important figure.[18] Menes was seen as a founding figure for much of the history of Ancient Egypt, similar to Romulus in Ancient Rome.[19] Manetho records that Menes "led the army across the frontier and won great glory".[8][16] §Capital[edit] Manetho associates the city of Thinis with the first dynasties (Dynasty I and Dynasty II) and, in particular, Menes, a "Thinite" or native of Thinis.[8][16] Herodotus contradicts Manetho in stating that Menes founded the city of Memphis as his capital[20] after diverting the course of the River Nile through the construction of a dyke.[21] Manetho ascribes the building of Memphis to Menes' son, Athothis,[16] and calls no pharaohs earlier than Dynasty III "Memphite".[22] Herodotus and Manetho's stories of the foundation of Memphis are probably later inventions: in 2012 a relief mentioning the visit of Memphis by Iry-Hor --a predynastic ruler of Upper Egypt reigning before Namer-- was discovered in Sinai, indicating that the city was already in existence in the early 32nd century BC.[23] §Cultural influence[edit] Diodorus Siculus stated that Menes had introduced the worship of the gods and the practice of sacrifice[24] as well as a more elegant and luxurious style of living.[24] For this latter invention, Menes' memory was dishonoured by the Dynasty XXIV pharaoh Tefnakht, and Plutarch mentions a pillar at Thebes on which was inscribed an imprecation against Menes as the introducer of luxury.[24] In Pliny's account, Menes was credited with being the inventor of writing in Egypt. §Crocodile episode[edit] Diodorus Siculus recorded a story of Menes,[25] related by the priests of the crocodile-god Sobek at Crocodilopolis, in which the pharaoh Menes, attacked by his own dogs while out hunting,[26] fled across Lake Moeris on the back of a crocodile and, in thanks, founded the city of Crocodilopolis.[26][27] Faber (1816), taking the word campsa to mean either crocodile or ark and preferring the latter, identifies Menes with Noah and the entire story as a deluge myth.[28] Edwards (1974) states that "the legend, which is obviously filled with anachronisms, is patently devoid of historical value",[27] but Maspero (1910), while acknowledging the possibility that traditions relating to other kings may have become mixed up with this story, dismisses the suggestions of some commentators[24] that the story should be transferred to the Dynasty XII pharaoh Amenemhat III and sees no reason to doubt that Diodorus did not correctly record a tradition of Menes.[26] §Death[edit] According to Manetho, Menes reigned for 62 years and was killed by a hippopotamus.[8][16]
Menes | biography - king of Egypt | Encyclopedia Britannica www.britannica.com/EBchecked/topic/374923/Menes Menes, also spelled Mena, Meni, or Min (flourished c. 2925 bce), first king of unified Egypt, who, according to ancient tradition, joined Upper and Lower Egypt in ...
THE MIND OF MIN
MANETHO NAME THO
ircamera.as.arizona.edu/NatSci102/NatSci102/lectures/ptolemy.htm Ptolemy. lived around 150 AD, and elaborated the geocentric (earth-centered) model of the ... Ptolemy's epigram, from the
Well do I know that I am mortal, a creature of one day. - Ptolemy's epigram, from the Almagest, probably written by himself
Ptolemies - Livius www.livius.org › index › ancient Greece › ancient Egypt This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306. In 332, the Macedonian king Alexander the Great conquered Egypt and gave a new capital to the old kingdom along the Nile, Alexandria. After his death (11 June 323), his friend Ptolemy became satrap of Egypt, and started to behave himself rather independently. When Perdiccas, the regent of Alexander's mentally unfit successor Philip Arridaeus arrived in 320, he was defeated. This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306. The fourteen kings of this dynasty were all called Ptolemy and are numbered by modern historians I to XV (Ptolemy VII never reigned). A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), who rose to power when their sons or brothers were too young. This was almost unique in Antiquity. Another intriguing aspect was the willingness of the Ptolemies to present themselves to the Egyptians as native pharaohs (cf. the pictures below, some of which are in Egyptian style). This was less unique: the Seleucid dynasty that reigned the Asian parts of Alexander's empire did the same. "A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), " The fourteen kings of this dynasty were all called Ptolemy
The fourteen kings of this dynasty were all called Ptolemy
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
The fourteen kings of this dynasty were all called Ptolemy
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "
THE RISE AND FALL OF ANCIENT EGYPT The History of a Civilisation from 3000 BC to Cleopatra Toby Wilkinson 2010 END OF INNOCENCE (2175-1541 BC) PARADISE POSTPONED
O shabti, detailed to (serve) me ... if I am summoned or if I am detailed to do any work which is to be done in the afterlife ... you shall detail yourself to me every time, (whether) for maintaining the fields, irrigating the banks or ferrying sand from east to west. 'Look, here I am', you shall say.' Truth will out When a man remains after passing away, His deeds are set alongside him . . . He who reaches (the next life) without wrongdoings Will exist there like a god . . . 3 In this scheme of things, virtue was no longer enough: it had to be accompanied by freedom from vice. In inscriptions of the period, the boastfulness and bombast typical of Old Kingdom autobiographies are joined for the first time by notes of doubt and defensiveness. A man might enumerate his many qualities and achievements but also take pains to state 'I never spoke a falsehood against any living person'.4 The 'negative confession', a declaration not to have committed a prescribed list of wrongful acts, became an essential component of the judgement process. Do not stand up against me Do not witness against me, Do not oppose me in the tribunal, Do not incline against me ... 7 Page 158 158
Page 156 “Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit.” 'his voice is true in the calculation of differences'
HIS VOICE IS TRUE IN THE CALCULATION OF DIFFERENCES
ATUM
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Page 254 "...Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere:..."
THE NEW KINGDOM
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
THE OLD TESTAMENT
LETTERS TRANSPOSED INTO NUMBERS REARRANGED IN NUMERICAL ORDER
The Ennead or Great Ennead was a group of nine deities in Egyptian mythology worshipped at Heliopolis: the sun god Atum; his children Shu and Tefnut; their children Geb and Nut; and their children Osiris, Isis, Set, and Nephthys. The Ennead... Wikipedia
Known also as the Five Books of Moses or Pentateuch, the Torah is one of the three main divisions of the Hebrew Bible and also the most sacred, for according to tradition it was written down by Moses at divine dictation.
LOOK AT THE 5S LOOK AT THE 5S LOOK AT THE 5S THE 5S THE 5S
FIVE BOOKS FIVE GENESIS EXODUS LEVITICUS NUMBERS DEUTERONOMY FIVE BOOKS FIVE
Pentateuch - Definition of Pentateuch at YourDictionary.com Pen·ta·teuch noun \ˈpen-tə-ˌtük, -ˌtyük\ : the first five books of Jewish and Christian Scriptures Middle English Penteteuke, from Late Latin Pentateuchus, from Greek Pentateuchos, from penta- + teuchos tool, vessel, book, from teuchein to make — more at doughty Rhymes with PENTATEUCH Related phrases: tours pentateuch samaritan pentateuch ashburnham pentateuch making of the pentateuch torah/ chumash/ pentateuch pentateuch of the cosmogony
Web definitions for pentateuch
LOVE EVOLVE LOVE
LOVE EVOLVE EVOLVE LOVE
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I MAGIC GODS MAGNIFICENT MAGNETIC MAGNIFICENT MAGIC IMAGERS MAGIC MAGI THE MAGIC I C CREATORS C I MAGIC THE MAGI MAGI MAGIC IMAGES MAGIC MAGI
THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 21 "The Ad Herennium was a well known and much used text in the Middle Ages when it had an immense prestige because it was thought to be by Cicero. It was therefore believed that the precepts for the artificial memory which it expounded had been drawn up by Tullius himself" Page 32 Page 282 "By the THE LADDER OF MINERVA we rise from the first to the last..."
THE ART OF MEMORY FRANCIS A. YATES 1966 THREE LATIN SOURCES FOR THE CLASSICAL ART OF MEMORY Page 175 CHAPTER 8 LULLISM AS AN ART OF MEMORY THOUGH we have now reached the Renaissance, with Camillo, we have to retrace our steps to the Middle Ages during this chapter. For there was another kind of art of memory which began in the Middle Ages, which continued into the Renaissance and beyond, and which it was the aim of many in the Renaissance to combine with the classical art in some new synthesis whereby memory should reach still further heights of insight and of power. This other art of memory was the Art of Ramon Lull. Lullism and its history is a most difficult subject and one for the exploration of which the full materials have not yet been assembled; The enormous number of Lull's own writings, some of them still unpublished, the vast Lullist literature written by his followers, the extreme complexity of Lullism, make it impossible as yet to reach very definite conclusions about what is, undoubtedly.ra strand of major importance in the European tradition. And what I have to do now is to write one not very long chapter giving some idea of what the Art of Ramon Lullwas like, of why it was an art of memory, of how it differs from the classical art of memory, and of how Lullism became absorbed at the Renaissance into Renaissance forms of the classical art. Obviously- I am attempting the impossible, yet the impossible must be attempted because it is essential for the later part of this book that there should be some sketch at this stage of Lullism itself. The chapter is based on my own two articles on the art of Ramon Lull:' it is orientated towards a comparison of Lullism as an art of memory with. the classical art; and it is not concerned solely with 'genuine' Lullism but also with the Renaissance interpretation of Lullism, for it is this. which is important for the next stages of our history.
ART AT R AT ART
"THE WORD FIRST USED FOR MAN IS LULLU" "THE WORD FIRST USED FOR MAN IS 33333" "THE WORD FIRST USED FOR MAN IS LULLU"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish- The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ... I hereby name it Babylon, home of the great gods. The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
ENUMA ELISH "The word used for man is lullu" LULLU 33333 LULLU "The word used for man is lullu"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish-
THE LULLABY
Tho' much is taken, much abides; and though Ulysses www.victorianweb.org/authors/tennyson/ulyssestext.html
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